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Bio

Stacey Isom Campbell’s plays include: 1999 (workshop, 3rdCourse: Theatre / grant awardee, MAC arts / Play Lab selection, Valdez Theatre Conference); CICADAS (selection, New Play Development Workshop, ATHE); THE CONTROLLER (finalist, Henley Rose Playwright Competition and Seven Devils Playwriting Conference); THE LOOPHOLE (LORT-production, Barter Theatre / nomination, Susan Smith Blackburn Prize / selection, Great Plains Theatre Conference / semifinalist, National Playwrights Conference); BUFFALO CREEK (finalist, Rose Henley Playwriting Competition / finalist, The New Harmony Project / semifinalist, Bay Area Playwrights Festival); WHEN MOUNTAINS MOVE (commission and production, Lee University); LAUNDRY AT THE COIN & SPIN (equity-showcase approved production and publication, The Collective: NY); MEMORY OF ICE (semifinalist, Bay Area Playwrights Festival, Seven Devil’s Theatre Conference and National Playwrights Conference); ON THE 8’s (winner, Dan I Rodden Jr Award / finalist, Rose Henley Playwriting Competition / selection, Great Plains Theatre Conference); SMOKIN’ DEVILS (selection, Appalachian Festival of Plays & Playwrights / 2nd place, Plays for the 21st Century / production, Red Clay Theatre). Her work has also been seen at the Pittsburgh New Works Festival, L.A. First Stage, EstroGenius Xtended, and others.

Stacey is a Fellow of Hambidge Center, Virginia Center for the Creative Arts, Helene Wurlitzer Foundation of New Mexico, and Trillium Arts. She believes the way we live our lives is an artistic expression—from the mundane washing of dishes to the bigger aspirations of building relationships or creating plays. In everything, she aspires to be an artist who makes things a little more beautiful.

 
 

artist’s statement

Coming soon, website under construction.

blog

Where I talk about playwriting, collaboration, news-worthy happenings, recommendations, random stuff I overheard, writing prompts, maybe even a few sketches.